I've always been fascinated by the mythology of Shiva, the third God of the Indian trinity. Typically, and simplistically, he is often represented as the God of Destruction. This is, by far, too simple an interpretation of Shiva, and only when you start to study the mythology around Shiva, do you begin to realize the complexity of the deity. And, the utter beauty of the philosophy.
Specifically, I took this shot of the Nataraja Statue at the Madurai Temple museum, sometime way back in 1986, when I had gone on a weekend trip with my classmates.
We had gone to Kodaikanal, and stopped by at Madurai on the way back. I won't spend any time in this entry on Madurai temple bashing. I think I will have enough time for that at a later point in time.
Back to the statue of Shiva as Nataraj, or the Lord of Dance. I don't particularly want to get into a detailed description of the statue or the history, because information on this is easily available on Wikipedia, or other sources. A small description may be sufficient.
The beauty of the statue lies in the design, the symbolism of each part, the perfect balance, and the harmony and grace that lies within the statue. The damru in the upper right hand, symbolising the sound of creation, the fire of destruction in the upper left hand, the symbol of benediction in the second right hand, and the symbol of enlightenment in the second left are all perfectly balanced. He dances on the demon of ignorance, thus banishing ignorance from the world. The snakes around him symbolise shakti. The circle of fire in which he dances is the manifest universe, and the matted hair flying around knock the celestial bodies off their course.
In this chaos of destruction and regeneration, there is perfect balance, which for me is represented in the perfect poise and balance in the statue.
But, the beauty of the statue lies in the serenity on his face. There he stands, doing the Tandav Nritya ( the dance of creation and recreation of the universe ) or, the Anandatandava ( the dance of bliss ), and throughout it all, he retains his serenity. The dance has energy, yet he is immersed in the dance, and is beyond the dance.
In the dance he creates, destroys, re-creates the world. He controls the cycle of time, and yet remains beyond it.
This, this beautiful harmony, the beautiful serenity of his expression holds the key to the statue. The old sages who conceived this had to have had a glimpse of divine, mystical insight, thoroughly untainted by the rituals and corruption of modern religion.
Which is why, Shiva is called Nataraj (or, the Lord of the Dance ), and also Mahakaal (Mahakala) or, he who is beyond time.
For the rest of us, the moving finger writ, and having writ, moves on.....
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