My first trip to Siam Reap, and the Angkor Wat area was in August of 2001. This was during one of those regional meetings that used to take place every quarter. We had, in the region, a fantastic team. It was filled with some excellent professionals, and due to the team building efforts of my boss at that time, we had an excellent sense of camaraderie and comradeship.
It all dissolved in 2002, when our division was divested globally. And then, poof, it was gone, like it had never been. But, memories stay with us, and as we grow older, they occasionally tend towards nostalgia for the good times gone by.
It was hot and humid that August, and I am sure it is always hot and humid at that time of the year. I was sweating profusely, as I always do. My T Shirt was sticking to me, and was during the duration of the visit to the temples, slowly starting to melt into my skin. Worse was in the area below my waist, where my jeans and underwear fused into the sweatier regions, and became more and more uncomfortable as the day went by.
The only problem with these trips, is that you never get the time to walk around, and take all sorts of wonderful pictures, with different angles and points of view. To top it all, I was using an old Canon point and shoot. Quick and dirty.
So, the shot of Ta Phrom above, and Bayon below cannot be considered to be well planned shots. If, at all they look good, it is through sheer luck.
Ta Phrom was originally called "Rajavihara". It was built as a result of the huge building effort by the king of the time, Jayavarman VII. Jayavarman was the first Buddhist king of the Khmer dynasty. His predecessors were Hindus. The building commenced in 1181 AD, when he came to power. The temples fell into disuse from the 15th century. Some people believe that the faces in the Bayon complex were representations of Jayavarman himself. Some believe that they were depictions of Lokesvara, the boddhisattva of compassion. Well, maybe they are depictions of Jayavarman as Lokesvara.
Kingdoms come and go. The lucky kings get to be remembered, through paintings or sculptures. The poor sods who made the great works of art are forgotten. If they are lucky, they live to work again. Some of them did have their arms chopped off, or were blinded, so that they would never get to work again.
We are what we make ourselves. We are made by the factors that influence us. We choose what to do with these influences.
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